本文以“焦虑”为切入点,用弗洛伊德心理学的焦虑说,分析《微痛》中导致爱德华和弗罗拉的焦虑症因素。透过他们之间焦虑升级的三个阶段,说明焦虑情绪对戏剧情节发展的贡献,进而揭示出品特本人对于焦虑现象的认知,以及焦虑的膨胀对于家庭关系的影响。 In this paper, “anxiety” as the starting point, with Freud’s psychology of anxiety, analysis of “pain” led to Edward and Flora anxiety factors. Explain the contribution of anxiety to the development of the dramatic scenario through the three stages of anxiety escalation between them, revealing Pfoto’s cognition of anxiety and the impact of anxiety on family relationships.