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“体大思精”的《文心雕龙》作为中国古代文艺理论的集大成者,蕴含了丰富的生态文艺思想,体现了中国古代知识分子对人与自然(天地)、文艺创作与自然之间和谐关系的生态思考。在《原道》中刘勰从文学本体的理论视域对文学存在与发展的一系列根本问题进行了精辟阐述,其理论在文学的本质与起源、文学的内容与形式、创作主体与自然(世界)关系等认识维度上包含了丰富的生态思想。
As a master of Chinese ancient theory of literature and art, The Literary Mind and the Carving of Dragons, which contains a wealth of ideas of ecological literature and art, reflects the influence of ancient Chinese intellectuals on human and nature (world), literary and artistic creation and nature Ecological Thinking of Harmonious Relationship. In “The Tao”, Liu Xie elaborated on a series of fundamental issues of the existence and development of literature from the theoretical perspective of literary noumenon. The theory is based on the essence and origin of literature, the content and form of literature, the subject and the nature of nature ) Relations and other dimensions of understanding contains a wealth of ecological thinking.