构图,乃是指画面的布局,构图乃是形式的组织,构图规律则是形式的组织规律,无庸讳言。构图形式是绘画创作中的重要环节。其实,古代的画家与绘画理论家很早就意识到了这个问题。所以顾恺之十分重视“置陈布势”。谢赫则把“经营位置”作为“六法”之一。而唐代的张彦远更是提出了“至于经营位置、则画之总要。由此可见构图在绘画中的重要位置。中国画的构图,是画家主观地按照形式美的法则,在有限的平面空间里选择体现立意的视觉形象,运用形式的因素,使之具有条理性,既有变化又和谐的构成形式。因为,构图不仅仅是布置安排画面,它更与画家的构思、立意、造型、色彩、形式等都有着密切的联系。它贯穿于创作的整个过程之中,是画 Composition, but refers to the layout of the screen, the composition is the form of organization, the law of composition is the form of organizational law, indiscriminately. Composition form is an important part of painting creation. In fact, ancient painters and theorists have long been aware of this problem. Therefore, Gu Kaizhi attaches great importance to “set Chen cloth potential.” Sheikh put “business location” as one of the “six laws.” In the Tang Dynasty, however, Zhang Yanyuan even put forward: "As far as the business location is concerned, the most important part of the painting is painting, which shows that the composition of Chinese painting is an important position in the painting.The composition of the Chinese painting is subjectively based on the principle of formal beauty and in a limited plane space Choose to embody the visual image of the intention, the use of form factors, to make it structured, both change and harmony form.For the composition is not only the arrangement of the screen, it is more with the artist’s conception, conception, modeling, color, Forms, etc. It has been through the whole process of creation, is painting