２０世纪９０年代初，我编完《高剑父画集》后写了一篇文章①，其中有这么一段话： 作为近代美术史中的高剑父，曾先以一位革命者投入推翻封建王朝的伟业，在革命事业上，可谓是一位铮铮硬汉。而在画坛上又是一位勇士，他敢于革新，敢于“折衷中外，融合古今”，敢于提倡“无物 In the early 1990s, I wrote an article after editing Gao Jian-fu’s Paintings, 1 in which she said: As Gao Jian-fu in the history of modern fine arts, I first tried to overthrow the feudal dynasty with a revolutionary Albert, in the revolutionary cause, can be described as a clank tough guy. In the painting arena is a warrior, he dared to innovate, dare to “compromise both at home and abroad, integration of ancient and modern”, dare to promote "nothing