明清是文人画发展的鼎盛时期,在崔其昌南北分宗思想的影响下,追求平淡简远的文人画风成为热潮;另一方面,江南一带商品经济的发展带来书画市场繁荣,卖画成为文人画家相对稳定的治生方式。在这样的情形下,文入画家的治生观点、绘画风格,以及他们的身份地位都发生了重要嬗变。本文着力探讨因文人画家治生观念的转化而引起的文人画风的世俗化嬗变特征。 The Ming and Qing Dynasties were the heyday of the development of literati painting. Under the influence of Cui Qichang’s thoughts of the South and the West, the pursuit of the simple and simple literati style became a craze. On the other hand, the development of the commodity economy in Jiangnan brought prosperity to the painting and calligraphy market, Literati painter relatively stable way of governing. Under such circumstances, the artist’s viewpoint on life and painting, the style of painting and their status have undergone tremendous changes. This article focuses on the secularization and transmutation of scholar’s style of painting caused by the transformation of scholars’