在上海看了几家连台本戏,也看了报刊上有关讨论的文字,很想凑个热闹,谈“热闹”问题。连台戏有悠久的历史,也有好的传统。宋元以来无论矣,今天京戏舞台上常见的那些著名三国戏,如《群英会》等,大抵就都出于当年三庆班的连台戏。周信芳的杰作《鸿门宴》,原也是他编演的连台戏《楚汉交兵》中的一本。连台本戏显然不就是《荒江 In Shanghai, I read a couple of the sets of the show and also read the newspaper articles about the discussion. I really wanted to join in the lively talk about the “lively” issue. Even the stage show has a long history, but also a good tradition. Since the Song and Yuan dynasties, the famous three-nation drama common to today’s Beijing opera scene, such as the “Heroes of Encounter,” mostly comes out of the three-day class drama of the year. Zhou Xinfang’s masterpiece, “Banquet Banquet,” was originally one of his plays in the drama “Chu Han”. Even the station is obviously not the "barren river