我们知道,影视是用活生生的形象来描述人类感情与思想的。从根本上说,影视美学特性的基本点是建立在镜头、感光胶片、(或磁带)与运动机械上的。而这些物质属性的最重要特点就是影像和声音的真实,还有那让观众置身其中的视点选择。这种真实与视点的目的是想在银幕上重塑我们已流逝了或正在流逝的生活,展示人类的时空观和命运观。那么,我们从视点与真实这两元素入手能否较为准确地说明影视作为艺术的最本质的价值呢?如果是这样,我们的批评或许 We know that film and television use vivid images to describe human feelings and thoughts. Fundamentally speaking, the basic point of aesthetics of film and television is based on the lens, photographic film, (or tape) and sports machinery. And the most important feature of these material attributes is the reality of images and sounds, as well as the choice of perspectives in which the viewer is placed. The purpose of this reality and viewpoint is to remold the life that we have passed or passing on the screen to show the concept of human space-time and fate. Well, we can start from the perspective of the two elements of truth can more accurately explain the film as the most essential value of art? If so, our criticism may be