哈罗德·品特的戏剧《回家》在“威胁喜剧”的创作基础上更进一步,从对一个不健全的现代家庭生活的刻画入手对现代西方“精神荒原”进行了深度剖析。而将弗洛伊德的心理分析和巴赫金的狂欢化理论运用于《回家》一剧进行分析,可得出如下结论:女主人公露丝经过一番唇枪舌战后实现了由妓女到丰饶女神的转变,并使原本畸形的家庭完成了生命意识的回归,这与英国小说家D.H.劳伦斯对生命意识的讴歌不谋而合。 Harold Pinter’s play “Go Home” goes a step further in the creation of “Threatening Comedy,” and from the depiction of an unsound modern family life to the depths of the modern Western Spiritual Wasteland Analysis. The analysis of Freud ’s psychoanalysis and Bakhtin’ s carnivalization theory in his “return home” drama leads to the following conclusion: The heroine Ruth achieves a fertility from prostitute to war after some verbal warfare The transformation of the goddess and the return of the consciousness of life to the original deformed family. This coincides with the British pop singer DH Lawrence’s Acura of Life Consciousness.