近来的美术展览会,常常出现一个颇为吊诡的现象,即展览的喧哗与批评的寂寞。具体来说,最为明显的即是画家拿作品参展竞标的很多,但展前展后评判的,却是应者寥寥,即便是有,也大多是“御用”来做样子说好话的多,真批评的少。手头的一个颇能说明问题的例子,即是本月11日开幕的“第三届全国中国画展”。如果用喧哗与寂寞来概括,或许是一个比较允当的评断。 In recent art exhibitions, there is often a rather paradoxical phenomenon, namely, the noise of the exhibition and the loneliness of criticism. Specifically, the most obvious is that the painters get a lot of works bidding for the exhibition, but judgments before the show, but it should be only a handful, even if there are, but mostly “Queen” to do more to say good words Less criticism really. An example that quite illustrates the problem at hand is the Third National Chinese Art Exhibition which opened on the 11th of this month. If you use noise and loneliness to summarize, perhaps a more appropriate judgment.