歌剧文学剧本的成败,直接影响着作曲家、导演、演员、舞台美术的艺术创造,其得失对一个剧团的兴盛衰落、人才的培育成长、观众的情趣爱恶,在很大程度上起着决定作用,反过来,剧本能否得到观众的喜爱、领导的支持,所有合作创造者的协力,也在一定程度上影响着剧本的成败。不过,首先仍决定于剧作者自己,所以,先着力于剧本创作的突破,当是必要的。从歌剧文学剧本创作的队伍和作品的历史及现状来看,即便是作者的立场、对深入生活的态度及作者的良好的愿望等根本问题,都得到了基本的解决,仍有一个 The success or failure of opera literary plays has a direct impact on the artistic creation of composers, directors, actors and stage art. The rise and fall of a troupe, the cultivation and growth of talents, and the taste and love of spectators play a decisive role to a great extent The role, in turn, whether the script can get the audience’s favorite, leadership support, cooperation of all creators, but also to some extent affect the success or failure of the script. However, first of all, it is still decided by the dramatist himself. Therefore, it is necessary to focus on the breakthrough of script writing first. Judging from the history and current situation of the team and works in the creation of opera literary scripts, even basic questions such as the position of the author, his attitude towards in-depth living and the author’s good wishes are basically solved and there is still a