民族民间舞蹈是各族劳动人民群众劳动生活的写照,是人类历史上出现的最古老的表达人们喜怒哀乐内心世界和歌颂美好生活的重要文化艺术,所以有人把舞蹈称为艺术之母。不论如何表述,也不论从哪个角度审视,从舞蹈原始狭义的祭祀、婚丧嫁娶仪礼,发展到现今的民族民间艺术形式,都与人民群众的生活水平息息相关。回顾历史,哪个朝代的鼎盛时期不是文化艺术的盛世呢?新中国成立以来,舞蹈艺术的发展同样符合波浪式前进的规律,盛世文化的大潮已经向我们涌来,文艺舞台表现出空前的活跃。作为一名舞蹈教育工作者,在兴奋之余,又不得不冷静下来———冷静审视舞台,冷静思考舞蹈。本文就对中国民族舞蹈教学中的一些问题做了简要的分析,望得到广大同仁的指正。 Ethnic folk dance is a portrayal of the working people’s working life of all ethnic groups. It is the oldest cultural art in the history of mankind that shows the inner world of people’s emotions and songs and praises for a better life. Therefore, some people refer to dance as the mother of art. No matter how it is expressed or viewed from any angle, from the narrow and narrow ritual worship of the dance, marriage and funeral rituals to the current form of national folk art, it is closely linked with the living standards of the masses of the people. Looking back at history, which heyday was not the flourishing era of culture and art? Since the founding of New China, the development of dance art has also been in line with the wave-like progress. The tide of prosperity has come to us and the stage of literature and art has shown unprecedented vigor. As a dance educator, I had to calm down while I was excited - calmly watching the stage and thinking about dancing calmly. This article makes a brief analysis of some problems in the teaching of Chinese folk dance, and hopes to get correct from the majority of my colleagues.