本文试图在荣格“集体无意识”和“原型”理论的关照下,重新审视安徒生部分作品中女性角色悲剧结局背后的诸多因素,认为男性作家的集体无意识、人格面具的冲突和暗影的过度膨胀使女性角色的悲剧结局成为必然,期望能够对安徒生作品的解读提供一个新的视角。 This article attempts to reexamine the many factors behind the tragedy of female characters in some works of Hans Christian Andersen, under the care of Jung’s “collective unconsciousness” and “prototype” theory, and concludes that the male writer’s collective unconscious, personality mask conflict and shadow The over-expansion of the female character makes the tragic ending of the female character inevitable, hoping to provide a new perspective on the interpretation of Andersen’s works.