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何伊宁:上世纪六七十年代,英国繁荣的音乐和时尚文化见证了商业摄影的兴盛,也见证了以托尼·雷-琼斯为代表的英国社会纪实摄影的复兴。你在亨利·卡蒂埃-布列松的影响下决心成为一名自由摄影师,随后在伦敦担任不同的摄影师的助理。为何选择重返马恩岛?你在拍摄《马恩岛》留下印象最深的事情是什么?基利普:我出生于1946年,父亲是一家位于道格拉斯和皮尔之间公路旁,名叫汉兰达小酒馆(Highlander Inn)的老板。父亲在我7岁的时候
He Yining: In the 1960s and 1970s, Britain’s thriving music and fashion culture witnessed the rise of commercial photography and witnessed the revival of British social documentary photography represented by Tony Ray-Jones. Under the influence of Henri Cartier-Bresson, you resolved to become a freelance photographer before he worked as an assistant to various photographers in London. Why choose to return to the Isle of Man? What is your most impressed on the Isle of Man? Kilip: I was born in 1946 and my father was a man on the road between Douglas and Peel Owner of Highlander Inn. My father was when I was seven years old