超文本文学以其独特的形式从诞生之日起就引起了文学界的极大兴趣,在借助网络技术的过程中,极大地引起了普通民众的参与热情。在整个超文本文学的关键点上,节点、链接、网状结构都与后现代主义“原”、“星座”、“块茎”、拼贴、蒙太奇等等隐性相通,在断裂线性结构与重构创作过程中,超文本文学的叙事方式发散与离解,其现代传媒手段融入的主体性创作与碎片拼贴形成了与后现代主义美学特征的隐性相似,其思想意识非中心、非主流、非正统,潜在反叛传统、变异、扭曲、幽默与穿越,是不定性的多元思想指向,在文学理论的几个关键点上揉碎了时空与各种手法,超文本文学也是西方后现代主义的隐性形态。 Hypertext literature, in its unique form, has drawn great interest from literary circles. With the help of network technology, hypertext literature has aroused great enthusiasm for participation of ordinary people. At the key point of hypertext literature, the nodes, links and reticular structures are all implicitly connected with postmodernism such as “original”, “constellation”, “tuber”, collage, montage, In the process of breaking the linear structure and reconstruction, the narrative ways of hypertext literature diverge and dissociate. The subjective creation and fragment collage of the modern media methods form a recessive similarity with the postmodernist aesthetic features, and their ideology Non-central, non-mainstream, non-orthodox and potential rebel traditions, variation, distortion, humor and traversal are the pluralistic points of indefinite ideology. They smashed space and time and various techniques in literary theory. Hypertextuality It is also a hidden form of western postmodernism.