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古往今来,无论是东方还是西方,月一直是诗人、画家、音乐家热衷吟咏描绘的对象,比如我国唐代大诗人李白的《静夜思》、法国诗人波德莱尔的《月之愁》、俄国画家克拉姆斯柯依的世界名画《月夜名画》等等。不同的年代、不同的国度、不同的艺术表现形式,都通过观察与想象,借“月”抒怀,表达思想。也有通过具体的语言文字直接描绘月光与月色,比如我国著名作家巴金的《家》中对满月的描述,足见月之魅力。本文通过对三首著名的中外音乐作品《“月光”奏鸣曲》、《月光曲》、《二泉映月》的比较分析,从无国界的音乐语言表达之中体会音乐风格、人文思想与精神内涵,进一步阐释东西方音乐文化观与音乐价值观的树立等问题。
Throughout the ages, both the East and the West have been the objects that the poets, painters and musicians are passionately devoted to depicting, such as the “quiet nights” of the great poet Li Bai in the Tang Dynasty in China, the “sorrow of the moon” by the French poet Baudelaire, Artist Kramskoy world famous “Moonshine paintings” and so on. In different ages, different nationalities and different forms of artistic expression express their thoughts through observation and imagination, expressing their feelings through the expression of “month”. There are also specific language depicting moonlight and moonlight directly, such as the famous writer Ba Jin’s “home” in the description of the full moon, which shows the charm of the moon. Based on the comparative analysis of “Moonlight Sonata”, “Moonlight” and “Er Quan Ying Yue” of the three famous Chinese and foreign musical works, this article analyzes the musical style, humanistic thought and Spiritual connotation, to further explain the eastern and western musical culture and music values and other issues.