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香港刺点画廊BLINDSPOT GALLERY,HONG KONG 2016.7.9—2016.8.27在其首次个展“徒劳”中,曾家伟显示出意图鲜明的媒介实验倾向。对于这位观众所熟知的摄影艺术家来说,灯箱、录像、旧式电视、砂纸肌理这类媒介和材质的集中出场显得非同寻常,但从另一方面来看,曾家伟此前通过摄影手段孜孜以求的一些母题——视觉及其错位、城市奇观以及碎片化的日常生活——依然近乎坚定地反映在这批新作中。展览的空间布局保证了作品形式由二维向三维的顺畅过渡。以较早的《新地标》(2014)系列摄影作为开端,曾家伟的镜头犹如“第三
Hong Kong Barbed Point Gallery BLINDSPOT GALLERY, HONG KONG 2016.9.9-2016.8.27 In his first solo exhibition, ”Inaugurally,“ Zeng Jiawei showed a clear intention of media experiment. For photographic artists well-known to the audience, the concentration of such media and materials as light boxes, videos, old-fashioned televisions and sandpaper textures is remarkable. On the other hand, Tsang Kar-wai has previously pursued some of his works through photography Motif - vision and its misplaced, urban wonders and fragmented daily life - are still almost firmly reflected in these new works. The layout of the exhibition space ensures the smooth transition from two-dimensional to three-dimensional. Starting with the earlier series of ”New Landmarks“ (2014) series, Zeng Jiawei’s camera is like ”The Third