关于“素描”与“色彩”的争论是西方文艺批评史从古希腊延绵下来的基本论题。文章就19世纪法国美术界关于素描与色彩的争论具体展开,以分析代表新古典主义的安格尔与象征浪漫主义的德拉克洛瓦的绘画争鸣为重点,并对其争论背后所代表的美学思想简要概括以及探讨由此带来的启示。 The controversy over “sketch ” and “color ” is the basic thesis that the history of Western literary criticism has been dragged down from ancient Greece. The article starts with the debate about the sketch and the color in the 19th century French art circle. It focuses on the analysis of the debate between Neige, a representative of neoclassicalism, and Delacroix, a symbol of romanticism, and discusses the aesthetic behind it Brief summary of ideas and discussion of the implications.