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本文从“舞剧本体”的创作理念开始谈起,回顾了中国舞剧从20世纪50年代以来的创作历程,尤其是现实主义舞剧创作的理论与实践对中国舞剧创作所产生的重要影响。作者由此推衍至舞剧《红船启航》的创作:对传统舞剧编创手法的继承,及对舞剧语言、形象的创新。《红船启航》是对中国舞剧创作中继承与创作的一次探索实践。
This article begins with the creative concept of “the body of a dancer ”, reviews the creative process of Chinese ballet since the 1950s, and especially the important influence of the theory and practice of realistic ballet creation on the creation of Chinese ballet. The author thus derives from the creation of the dance drama “Sailing Red Ship”: the inheritance of the creation techniques of traditional ballet and the innovation of the language and image of ballet. “Sailing Red Ship” is an exploration and practice of the inheritance and creation of Chinese ballet creation.