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《声无哀乐论》集中体现了嵇康“声无哀乐”的音乐美学思想,是我国古代音乐美学发展史上具有重大意义的专著,是我国乃至全人类音乐美学的宝贵资源。
“Sound without sorrow and sorrow” embodies the musical aesthetics thought of Ji Kang ’s sound without sorrow ’ s music and is a monograph with great significance in the history of the development of ancient Chinese music aesthetics, which is a precious resource of music aesthetics of our country and even of mankind.