按照解释学和接受美学的观点,纯客观的阅读是不可能的,任何阅读都必然染上接受者的主观色彩。因此,从某种意义上讲,任何阅读作为主体的能动接受行为都有可能是一种“误读”。改编始于阅读。事实证明,大凡堪称成功二度创作的改编,往往是改编者有意识“误读”原作品的产物。看影片《大红灯笼高高挂》,我的第一感觉便是:电影导演张艺谋 According to the viewpoints of hermeneutics and receptive aesthetics, pure and objective reading is impossible, and any reading must necessarily catch the subjective character of the recipient. Therefore, in a sense, any active acceptance of reading as a subject may be a kind of “misreading.” Adaptation began with reading. Facts have proved that, generally, the adaptation of the second degree of success is often the product of a conscious “misreading” of the original works by the translator. See the movie “Raise the Red Lantern”, my first feeling is: the film director Zhang Yimou