在当前诸多文艺形式里,若论及文化的多元性、传播主体的全民性、与市场紧密结合的商品属性等,非电影莫属。如今,中国电影也已迈入了大片时代,《英雄》、《十面埋伏》、《无极》、《夜宴》、《满城尽带黄金甲》等营造出一派繁荣的景象,不过热闹中却又有点畸形。中国电影产业的结构仍然不是十分合理,在商业性和艺术性的结合上仍有较大的空间。本文从中国电影的困局和破局之法两方面出发,抒发自己的一点浅闻陋见。 In many current literary forms, non-cinema should be considered if it concerns the diversity of cultures, the universality of the main body of communication, the product attributes closely integrated with the market, and so on. Today, Chinese movies have also entered the era of “boom”, “hero”, “ambush”, “Promise”, “Banquet”, “Curse of the Golden Flower” to create a prosperous scene, but the lively yet A little deformity. The structure of China’s movie industry is still not quite reasonable, and there is still plenty of room for commercial and artistic combination. This article from the Chinese film’s predicament and breaking the law of two aspects, to express their own a little shallow shame.