在少数人摄影的时代,女性摄影可能更多地被看作一道“美丽的风景线”。相较于拍摄者而言,女性更多充当了被摄对像的身份,她们的摄影连同她们本身的行为都一同被划入到一个“被观看”和“被欣赏”的境地,藏匿在背后的深层原因,则是干百年来由男性精神幻想为基础的一种审美规约。用女性主义的观点来看,摄影从被发明以来,就自然成为社会主体表达男性话语的权力工具。 In the era of minority photography, female photography may be seen more as a “beautiful landscape.” Compared to the photographer, women are more likely to be the subject of photography. Their photography, together with their own actions, are classified as “viewed” and “appreciated” The hidden reason behind this is an aesthetic statute based on masculine spiritual imagination for a hundred years. From the feminist point of view, photography has been the power tool of social subject to express male discourse since it was invented.