论文部分内容阅读
20世纪90年代起,以台北为中心发展出来的一波新建筑美学运动,与20世纪80年代做出分水岭般的断切。这是中国台湾近代建筑史上重要的一个转折点,其主要特色在于由商业导向过浓的后现代主义,回转重返入现代主义的大方向,其中姚仁喜建筑师是这波新美学运动的主力舵手,当时其他重要参与建筑师还有简学义、张枢等人。90年代前后,台湾政经环境有着巨大的变动,其中包括1988年元旦解除报禁、7月解除台湾地区戒严、1989年开放政治团体及政党的组设、1991年台湾财政主管部门核准15家新银行设立等,这在台湾建筑史上有着划时代意义,为新美学风潮发生的时代背景奠定了基础。事实上当时也正好逢上台湾房地产在20世纪80年代末期的景气高峰,新台币币值处在历史高点,而美国反而正处在20世纪80年代后期的景气低点,建筑业极端萧条,于是有一股建筑专业人员大量由以美国为主的西方社会返回中国台湾,并迅速主导了台北设计风潮的方向。
Since the 1990s, a wave of new architectural aesthetics movement centered around Taipei has made a watershed cut in the 1980s. This is an important turning point in the history of modern architecture in Taiwan of China. Its main feature lies in that the post-modernism with a strong business orientation turns back to the general direction of modernism. Architect Yao Renxi is the main helm of this new aesthetic movement. At that time there are other important participating architects Jianxue Yi, Zhang Shu et al. Before and after the 1990s, the political and economic environment in Taiwan has undergone tremendous changes. These include the lifting of the ban on New Year’s Day in 1988, the lifting of martial law in Taiwan in July 1989, the opening of political groups and political parties in 1989 and the approval of 15 new departments by Taiwan’s financial authorities in 1991 The establishment of banks, etc. This has epoch-making significance in the history of Taiwan’s construction and lays a foundation for the background of the times when the new aesthetic trend takes place. In fact, it happened at the peak of the real estate boom in Taiwan in the late 1980s. The value of the new Taiwan dollar was at an all-time high. The United States, on the contrary, was enjoying a sluggish economy in the late 1980s and the construction industry was extremely depressed. A large number of construction professionals returned to Taiwan from western countries mainly dominated by the United States and quickly led the trend of Taipei design.