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20世纪的30年代,焊接技术在金属雕塑创作中的应用以冈萨雷斯和毕加索为代表,它是伴随着现代艺术的产生而产生的、不可复制的金属雕塑方式。在世界雕塑艺术史上,它为雕塑制作与材料运用开辟了一个新的领域,也标志着一个新时代的来临。当时,艺术家亲自完成对金属的切割,再重新组合、焊接,以最直接的方式进行金属雕塑的创作和制作。其作品往往是单一的实体和不同体块之间的结合,受技术的制约,其金属加工工艺受到一定的限制。
In the 1930s, the application of welding technology to the creation of metal sculptures was represented by Gonzalez and Picasso. It was a non-duplicable metal sculpture that accompanied the emergence of modern art. In the history of the world sculpture art, it opens up a new field for the making of sculptures and the application of materials, and also marks the advent of a new era. At that time, the artist personally completed the metal cutting, re-assembly, welding, in the most direct way for the creation and production of metal sculpture. His works are often a single entity and the combination of different body blocks, subject to technical constraints, the metal processing technology subject to certain restrictions.