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文章以里亚多夫的管弦乐《俄罗斯民歌八首》、马祖卡《小酒馆前的乡村场面》为研究材料,以作品中所运用的和声为研究内容,通过对作品和声的分析研究,揭示作曲家在以民歌为素材创作的管弦乐作品中体现出的民族化的和声技巧以及和声思维。里亚多夫是俄罗斯民族乐派承前启后的关键人物,系统研究里亚多夫管弦乐作品中民族化的和声运用,不仅对俄罗斯民族音乐的发展可以有深入的了解,而且在俄罗斯民族乐派对丰富浪漫主义和声理论方面有着重要的意义。
The article takes Riadov’s orchestral “eight folk songs of Russia” and the mazuka “rural scene in front of the bistro” as the research materials, and uses the harmony used in the works as the research content. Through the analysis and study of the harmony of the works, Revealing the nationalist harmony techniques and harmony thinking of composers in orchestral works composed of folk songs. Riyadov is the key figure of the Russian national music group before the founding of the country. Systematic study of the harmonization of the nationalization in the works of Riadov’s orchestral music not only provides an in-depth understanding of the development of Russian national music, but also enriches the music of the Russian nationality, Romanticism and sound theory has an important meaning.