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本文通过解析克罗齐美学的审美判断论、艺术重现论和批评观念论等相关内容 ,提出艺术批评的逻辑本性是对情感表现作逻辑综合 ,内在构成是由系动词联结艺术重现与艺术观念 ,合法性依据在于人性共同性、意象先验性和个别有限相对同全体无限绝对之间的辩证关系 ;并在批评活动中实际存在的伪历史批评、伪美学批评、批评的当代化或历史化、题材批评、意图批评等“非批评化”倾向的同时 ,肯定真理之路即批评之路 ,从而促进艺术批评自我意识的成熟
This article analyzes the aesthetic judgment of Croce’s aesthetics, the theory of artistic reproduction and the theory of criticism, and puts forward that the logical nature of artistic criticism is a logical synthesis of emotional expression. The internal composition is composed of the reproduction of art and the reproduction of art The concept of legitimacy lies in the dialectical relationship between the commonality of humanity, the transcendental imagery and the relative infinitesimal absoluteness of the individual as a whole; and the actual existence of pseudo-historical criticism, pseudo-aesthetic criticism, contemporary or historical criticism in criticizing activities At the same time, affirming the truth is the way of criticism, so as to promote the maturity of self-awareness of art criticism.