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回族文学中的阿訇形象,随着时代的不同被赋予了不同的意义和内涵:现代文学中的阿訇是承担着振兴族教使命的启蒙者,是伊斯兰传统“创制”精神的载体和象征;新时期以来的阿訇文学形象,从国家民族意识代言人逐步发展为个体民族精神的彰显者,他们凝聚了回族爱国爱教的政治诉求、崇尚清洁的精神旨归;进入新世纪,回族文学中的阿訇形象表现出在圣俗之间或徘徊或坚守的姿态,这标志着在当下多元文化冲击中回回民族不断反观自身、寻求发展。
Imams in Hui literature are given different meanings and connotations with the times. Imam in modern literature is the enlightening person undertaking the mission of rejuvenating nationality and the carrier and symbol of Islamic tradition “creation ” spirit Since the new era, the Imam literary image has evolved from the representative of national national consciousness to the manifestation of individual national spirits. They unite the political demands of the Hui people in patriotic love of religion and advocate the purport of purifying the spirit. In the new century, in the Hui literature The image of Imam shows a stance of hovering or sticking between holy communities and customs, which indicates that in the current multicultural impact, the Hui people continue to look back on themselves and seek development.