“深入那正在发掘的未知,你不得不徘徊苦思。”——勒奈·夏尔:《伊普诺斯诗稿》,1946年。文学批评十分经常地忽视宗教社会学的贡献。但是,它最好还是应该懂得,一切文化无不发源于人同世界的某种宗教关系,产生于可见物和不可见物的某种平衡配置。实际上,这正是例如狄尔泰所强调的宗教活动的主要特征:“凡是遇到冠有宗教名称的事物之处,同不可见物交往乃是其特殊的标志。” “Going deep into the unknown you are discovering, you have to wander around.” - Renée Chall: “Poem of Ipnus”, 1946. Literary criticism often ignores the contribution of religious sociology. However, it should ideally be understood that all cultures originate from a certain religious relationship between man and the world and arise from a certain balance between visible and invisible objects. In fact, this is, for example, the main feature of the religious activity emphasized by Dilthey: “Wherever it encounters something with the religious name, it is a special sign of his association with the invisible.”