双年展丢作品这样的事情已经算不上什么太吸引人的新闻了,因为不管借助怎样的手段,这些丢失的作品总会在某一个特定的时间段被“无意”地找到,然后昭告天下。威尼斯双年展作品丢失案可以说在某种程度上已经算是“悬案”了,当然,事件的最终调查结果是作品被艺术机构的员工不小心地放在仓库的最里边,跟原本应该放置于一起的其他作品分割开了,导致这批作品在仓库当中默默地躺了十余年的时间而无人查看。这样的“悬案”告破很有点“踏破铁鞋无觅处,得来全不费功夫”的感觉, Things like losing a Biennale are no longer as attractive as news, because no matter what they do, these lost pieces are always “unintentionally” found at a given time and then Tell the world. The loss of the Venice Biennale works can be said to have been “a pending case” to some extent. Of course, the final investigation result of the incident was that the work was artfully placed by the staff of the art establishment on the innermost part of the warehouse, The other pieces put together were split apart, leaving the work silently lying in the warehouse for more than a decade without anyone viewing it. Such a “case of suspension” was a little break “Feel nothing to get rid of the iron shoes, have to spend all effort” feeling,