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《收藏与投资》:黄老您好,您在书法创作、书法教育、书法史论研究及篆刻等方面均可谓成果卓著,像您二十世纪90年代初在第三届中青年书法篆刻展览展出的手札作品,就因其神韵斐然而引动书坛,首开手札风之先河,并影响和带动了一批人为重振帖学而力劈新途。我们都知道,当时书坛大多数的人还在沉迷于碑学之中,对帖学心存偏见,是什么让您在这样的大环境下将注意力转到帖学上面的?黄惇:其实对于碑学我也曾做过深入地研究,至于为什么最后选择帖学,这也是在研究、比较之后得出的结果。
Collection and Investment: Hello Huang Lao, you calligraphy creation, calligraphy education, history of calligraphy and carving, etc. can be described as outstanding achievements, like you in the early 90s of the 20th century calligraphy and seal engraving exhibition Out of the Zhazhang works, because of its fascinating charm and lead the book, the first open style, and influence and led a group of people in order to revive the calligraphy and splitting the new way. We all know that when most people in the book are still addicted to the study of inscriptions, the prejudice to the post, what makes you in this environment will turn your attention to the above? Huang Xuan: In fact, I have done in-depth study of the tablet, as to why the last choice of quote, which is also the result of research, comparison.