论文部分内容阅读
梁老师的“居住畅想”这个设计题目的特殊之处在于,它并不像单纯的“课题一作品”式的studio一样侧重于完成一个相对比较完善的设计结果,而是更加侧重于设计过程,可以说是一次对于设计方法的探讨。具体来讲,这次的studio的目标是让我们对于日常生活进行细腻的审视,体会以往被我们忽略的生活诗意,以其为设计突破点,完成由日常经验、个体记忆升华成居住畅想的全过程。这个过程可以说是一种对于情感的转译,是将内心中最真实的主观感受,平静、优雅地通过建筑空间展现出来,在空间中置入设计者的主观感情,努力唤起设计者和使用者共同的经验与记忆,而非单纯而
The uniqueness of Liang's “Living Imagination” design topic is that it is not as focused on completing a relatively perfect design result as a purely “subject-matter” studio. Instead, it focuses more on In the design process, it can be said that a discussion of the design method. Specifically, this studio's goal is to allow us to carry out a detailed examination of everyday life, experience the poetic past we have neglected life, with its design breakthrough point, completed by the daily experience, individual memory sublimation into the living Imagination process. This process can be said to be a kind of translation of emotion. It is to present the most subjective feelings in the inner world calmly and gracefully through the architectural space and put the subjective feelings of the designers into the space so as to arouse the designers and users Common experience and memory, not mere merit