江苏省話剧团最近上山下乡,演出了話剧《刘胡兰》,在导演和舞台美术設計上有一些新的創造和尝試。他們吸取了戏曲的传統表現手法,在二道幕前,加了过場戏——把按話剧写法所省略掉的、观众看不見的幕后戏搬到幕前来演,使幕与幕之間銜接得更紧,剧情可以一目了然,以适应农民的欣賞習慣。这种演出形式农民很欢迎。比如三幕二場之后,二道幕前加了秀英和刘胡兰的母亲被勾子軍押往大庙,威胁他們招供,企图动搖刘胡兰; Jiangsu Repertory Theater recently went to the mountains and went to the countryside to perform the drama “Liu Hulan”. There were some new creations and attempts in the director and stage art design. Drawing on the traditional performance of traditional opera, they added an orchestra in front of the second screen - moving the behind-the-scenes drama, which was omitted from the drama style and was invisible to the audience, to make the curtain and the curtain The link between the tighter, the plot can be clear at a glance, in order to adapt to the appreciation of peasants habits. This form of performance farmers are welcome. For example, after three scenes and two games, the mother who joined Xiu Ying and Liu Hulan before the curtain of the second stage was escorted by the Hook Army to the Great Temple, threatening their confessions in an attempt to shake Liu Hulan.