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在传统社会,女性的情感表象是有关家庭、集体与国家的社会象征;而在陌生的城市社会,都市女性在社会转型与老龄化的社会语境中的情感表达离不开对主体性问题的关注。本文借鉴个体化理论,通过对广场舞女性群体日常生活的深入阐释,探讨都市女性的情感表达与主体性建构。广场舞群体以混合的个人动机进入广场空间,并以统一的身体实践,表征为自己而活的情感呈现,成为私人情感的外化,既表现为女性群体自我情感表达与重塑女性角色的强烈意愿,又表明她们在与家庭、群体和社会的互动中主动寻求主体性建构,实现个体与社会新的联结。作为特殊的身份群体,广场舞女性仍以家庭为核心,无法摆脱母亲、妻子身份,其繁杂的生活琐事背后蕴含的情感始终融于主体性的建构行动之中。
In traditional society, the female’s emotional appearance is the social symbol of family, collective and country. In unfamiliar urban society, the emotional expression of urban women in the social transformation and aging social context can not be separated from the subjective issues attention. Based on the theory of individualism, this essay explores the emotional expression and the subjectivity of urban women through the in-depth explanation of the daily activities of the female square of square dance. Square dance with mixed personal motivation to enter the square space, and with a unified body practice, to characterize the living emotion for themselves and become a private externalization of emotion, both manifested as female groups to express their own emotional and reshape the strong female role Intentions, but also shows that in their interactions with families, groups and societies, they proactively seek for subjectivity and achieve new links between individuals and the society. As a special identity group, the female square dance is still the family as the core, can not get rid of the identity of the mother and wife, and the emotion behind the complicated life and trivia has always merged into the subjective constructive action.