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审美现代性从现代性内部脱胎而来,继承了现代性鲜明的双重和反思的特征,成为反抗理性过度膨胀,尤其是工具理性的武器,是对现代性的逆反和批判。在宗教对社会的统治瓦解之后,审美现代性试图构建一个新的价值伦理体系,因此,它也是现代性的重建者。在审美现代性这一概念被介绍到中国来以后,本土化的过程中遇到了诸多的问题和困难,一味的照搬照抄是遭遇移植困境的基本原因。
Aesthetic modernity has been born from the inside of modernity and has inherited the duality and reflective characteristics with distinctive modernity. It has become the weapon to resist the excessive expansion of reason, especially the instrumental rationality, and is the reverse and criticism of modernity. After the collapse of religious rule over society, aesthetic modernity attempts to construct a new ethic of value. Therefore, it is also a reconstruction of modernity. After the introduction of the concept of aesthetic modernity in China, many problems and difficulties have been encountered in the process of localization. Copying a copy blindly is the basic reason for the transplanting dilemma.