屈原在我国文学史上首次将愁与愁的词组写入文学作品楚辞中,开创了汉语“愁”字入诗的风气,丰富了文学作品的思想感情与表现手法。在他之前,文学作品表达愁苦悲情主要书写“忧”字(这兴许是当时的雅言),以及与忧字关联的词组。屈原将口语愁字运用于楚辞作品并派生系列新词组,演绎新义,随其文学作品深入人心,后世写愁用愁字连词加以形容蔚然成风。从文学悲剧主题与审美情怀看,有影响深远与标志性的创作意义。 Qu Yuan wrote the phrase of worry and worry in the history of Chinese literature for the first time in the Song of Songs of literature, creating the atmosphere of entering Chinese poems into Chinese poetry, enriching the thoughts, feelings and expressions of literary works. Before him, literary works expressed sorrow and sadness mainly to write the words “worry” (which may be the then elegant words) and the phrases associated with the sad words. Qu Yuan’s use of colloquial language applied to the works of the Chu language and derive a series of new phrases, interpretation of the new meaning, with its literary works deeply rooted in the hearts of future generations to worry about melancholy words conjunctions to be described as a common practice. From the perspectives of literary tragedy and aesthetic feelings, it has far-reaching and iconic creative significance.