这篇文章是我与马峻三次长谈后完成的。即便如此，我也不想从纯美学角度来评价他的作品。因为仅靠十几个小时交谈是无法了解其更深层次的内涵，再者，也怕别人读了觉得“累”。因此我试着记录马峻的思路和创作构想。因为相信这种表面不相关的东西，在其创作的意识里定有某种联 This article was completed after three long talks with Ma Jun. Even so, I do not want to comment on his work from a purely aesthetic point of view. Because only by more than a dozen hours of conversation is unable to understand its deeper meaning, in addition, also afraid of others read feel tired. So I tried to record Ma Jun’s ideas and creative ideas. Because I believe that this surface is not related to things, in their creative consciousness there is a certain combination