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开光在宋代得以正式命名,具有里程碑式的意义,本文研究唐代葵口器对开光形制形成的作用。笔者以“花”为线索,溯源葵口器的盛行和衍变;剖析在开光形成过程中,花的造型元素与器物纵向分割的关系;阐述线绘的葵口区域对开光轮廓的作用。文章认为,唐代葵口器上已出现开光的纵向分割、宋代磁州窑完成线绘葵口的标准形制开光轮廓,至元、明、清开光形制日益规整和程式化,其脉络沿袭清晰可见。
Opening in the Song Dynasty to be formally named, with landmark significance, this paper studies the role of the Kwangkou device in the Tang Dynasty. The author uses “flower” as the clue, tracing the prevalence and evolution of the koukou device; analyzing the relationship between the shape elements of the flower and the longitudinal partition of the object in the process of opening the light; and explaining the effect of the kuikou region drawn by the line on the opening profile. The article believes that the Tang Dynasty Kuikou device has appeared on the longitudinal split, the completion of the Song Dynasty Cizhou Kwai Kau painted the standard open light contour, to Yuan, Ming and Qing open light system increasingly regular and stylized, the context followed clearly visible.