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李焕之先生所作的管弦乐《春节序曲》是《春节组曲》中的第一乐章。这部作品采用我国北方民间的音乐素材,具有浓浓的中国民族音乐文化特色,,在一经问世就受到广大人民的喜爱,在国内外多次上演,并且被改编成多种版本,本文所介绍的正是由司徒华城先生改编小提琴版的《春节序曲》,这也正是体现了“洋为中用”的特点。这部作品中不仅仅充分展现了小提琴这件西洋乐器的演奏技巧和优美的音色,更巧妙的将中国民族音乐文化展现的淋漓尽致。从这部经久不衰的音乐作品,我们可以得到怎样进行中国民族音乐文化的传承以及在当今时代应该如何将西洋乐器和中国特色文化相结合的启示。
Mr. Li Huanzhi’s orchestral “Spring Festival Overture” is the first movement in “Spring Festival Suite”. This piece uses the folk music material in northern China, has a strong Chinese national music and cultural characteristics, once published on by the majority of people’s favorite, staged several times at home and abroad, and was adapted into a variety of versions, this article describes It is precisely the “Spring Festival Overture” adapted by Saint Stuart City’s violin edition, which is precisely the characteristic of “foreign being”. This work not only fully shows the Western violin violin instrument playing skills and beautiful tone, more subtle Chinese ethnic music and culture to show the most vividly. From this enduring music piece, we can get enlightenment on how to carry on the inheritance of Chinese folk music culture and how to combine western musical instruments with Chinese characteristics in today’s era.