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有人说《璐璐》(LULU)是一部很怪异的歌剧,音乐奇怪,不能理解,看不懂;有人说这样的歌剧只有坚持坚持再坚持才能看到最后;也有人说与其在这浪费时间还不如干点别的事情更有意义。的确,《璐璐》背离了古典歌剧的游戏规则:没有完整的旋律、没有咏叹调、相对抽象的故事和概念化的文化背景。这对于大多数人来说接受起来都是相当困难的。但是在现代音乐史上和歌剧史上《璐璐》都占有着重要的地位,可称得上是里程碑式的作品。如果你想更深入的理解这部作品,那么首先让我们来了解一下这部歌剧的曲作者贝尔格。奥地利作曲家阿尔班·贝尔格(1885-1935),虽然没有受过正规的音乐训练,但是他从小就表现出极高的音乐天赋。1904年贝尔格拜美籍奥地利作曲家勋伯格为师学习音乐。后来,还有勋伯格的另一位学生韦伯恩,师生三人有“新维
Some people say that Lulu (Lulu) is a very weird opera whose music is weird, can not understand it and can not understand it. Some people say that such an opera can only see the end if it insists on insisting on it. Some people say it is a waste of time Not as good as doing something else. Indeed, Lulu deviated from the rules of play of classical opera: there is no complete melody, no aria, relatively abstract story and conceptualized cultural background. This is quite hard for most people to accept. However, Lulu occupies an important position in the history of modern music and the opera history, and can be regarded as a landmark work. If you want to understand this work in more depth, let’s first take a look at Berg, the songwriter of this opera. Austrian composer Albanese Berg (1885-1935), although not formally trained in music, showed a high musical genius from an early age. 1904 Berghavan Austrian composer Schoenberg studied music for the teacher. Later, another Schoenberg student Weiborn, teachers and students have three ”new dimension