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在《中国花卉盆景》杂志上看到过一些张夷先生的作品,常有耳目一新的感觉。作者创作视角新颖独到,切入点巧妙奇特,在常规中另辟蹊径,平淡里点石成金,为我们古老的盆景文化注入了新的生机。三幅一组题为《江南乐韵》的作品,就是巧借三枝江南乐曲所表现的意境、氛围、情绪等等来丰富盆景作品的内涵,也力求用大自然的山石树木的有机组合,再现音乐作品所要表达的精神世界。这又是作者一次新的可喜的尝试。
In the “Chinese Flower Bonsai” magazine saw some of Mr. Zhang Yi’s work, often refreshing feeling. The author’s creative perspective unique and unique, clever and peculiar point of entry, in the tradition of another way, plain indifferent stone into gold, for our ancient bonsai culture has injected new vitality. A group of three works titled “Jiangnan Le Yun” is designed to enrich the connotation of the bonsai works by using the artistic conception, atmosphere and mood expressed by the Sanjian Jiangnan music, and to seek the organic combination of the natural stone trees to reproduce The world of music to be expressed. This is another new welcome attempt by the author.