登场六十年代出生的一代,或许将被人们称为“九十年代入”。世纪之交的时刻,正是预期中的、出生于六十年代的人们登临、进而占据中国历史、文化舞台的年头。他们已被先期命名为“游戏的一代”。仿佛是历史的一个不无残忍的玩笑,出生于如火如荼的六十年代的一代人,似乎注定要成为他们出生年代的文化终结者——如果尚不是清算者的话。事实上,这一代人已在八、九十年代之交的陆续登场,却大都选取了不甚游戏的姿态。继苏童、余华、格非以“新潮小说”震荡文坛之后,九十年代,他们已然登堂入室,告别或毋须告别“先锋”地进入了个人写作的行云流水之中;作为同代人的陈染则在女性自传写作的固执之间,继续 The generation born in the 1960s may be called “the nineties.” The moment of the turn of the century is exactly what was expected. People born in the 1960s boarded the door to occupy the stage of Chinese history and culture. They have been pre-named as “Game Generation.” It seems like a history of a non-cruel joke, a generation born in full swing in the sixties seems destined to become the cultural terminator of their birth years - if not yet a liquidator. In fact, this generation has appeared one after another in the eighties and nineties, but most of them chose not to play the game. Following Su Tong, Yu Hua and Ge Fei, they shocked the literary world with “trendy novels.” In the 90’s, they had entered the hall, bidding farewell to or entering the personal writing without having to say goodbye to the “vanguard” Between women’s autobiographical writing stubborn, continue