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本文通过“艺术学之父”——(德)康拉德·费德勒对于美学与艺术哲学的学科区分、建立艺术学目的的论述、美学与艺术学的本质差别辨别、艺术学研究应坚持艺术本身研究的观点阐释,来解决目前从事艺术学研究所遭遇到的,对于艺术学学科界限不明、艺术学家应该从事怎样的学术研究这样一类困境与误解,以使艺术学研究者能够更加明确艺术学科的本质内涵与根本任务,做好真正属于艺术学的学术研究。
This article through the “father of art” - "(German) Conrad Federer disciplines of aesthetics and philosophy of art, the establishment of the purpose of the art of exposition, aesthetics and art of the essential differences between the distinction, the study of art should insist Art itself to explain the interpretation of the point of view to solve currently engaged in the study of art studies encountered, for art disciplines is unknown, what kind of academic research artists should be engaged in such a dilemma and misunderstanding in order to enable art researchers to be more To clarify the essence of art disciplines and basic tasks, do a good job of academic research of art.