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中国传统漆艺术在历史的长河中沉稳内敛地缓慢推移。从实用功能脱离出来的造型艺术,再到今天的精神艺术形态,每一代创作者都肩负着传承与拓展的重任。纵观第十二届全国美术作品展览,漆画作品首次被列为一个独立的展区,充分说明了漆画创作发展的良好势头。而当代新一批漆画创作队伍所带来的新成绩,更是有着诸多可喜的闪光点。正如在第十二届全国美展漆画展区开幕式后举办的漆画论坛上许多专家学者所肯定的那样,在
Chinese traditional lacquer art slowly and introverted slowly in history. Out of the practical functions of the plastic arts, to today’s spiritual art, each generation of creators have the burden of inheritance and development. Throughout the Twelfth National Art Exhibition, the first time that lacquer works was listed as an independent exhibition, it fully illustrates the good momentum of the development of lacquer creation. The new batch of contemporary lacquer painting creative team brought new achievements, but also has many welcome flash point. As confirmed by many experts and scholars at the lacquer painting forum held after the opening ceremony of the 12th National Art Exhibition of Painted Paints,