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巴赫“这么短暂,这么渺小”康塔塔BWV26以薄雾、河水、水珠的动态特征来形象化人的生命在时间洪流中的变化。音乐在名词处以音高表达词义色彩,在动词处再现具体的动态情境,音乐与诗词都隐含着巴赫对生命过程的诠释。整首康塔塔通过音乐与诗词塑造出线性时间与循环性时间之间不断包含的层次感,其表现出的观察视角从微观走向宏观,并最终为人生得出结论。文章通过对BWV26各个乐章音乐与诗词的分析,探讨巴赫对人的生命过程的微观与宏观描绘,并探索其中所勾绘出的时间形象。
Bach “so short, so small ” Cantata BWV26 to the dynamic characteristics of mist, water, water droplets to visualize the changes in human life in the torrent of time. Music at the nouns at the pitch to express the meaning of meaning, the verb to reproduce the specific dynamic situation, music and poetry are implicit in Bach’s interpretation of the process of life. Through the music and poetry, the whole Galata shaping the continuous sense of hierarchy between the linear time and the cyclic time, the angle of observation that it exhibits is from micro to macro, and finally concludes life. By analyzing the music and poetry of each movement of BWV26, this article discusses Bach’s micro and macro depiction of human life process and explores the time image outlined in it.