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“光韵(Aura)”是本雅明重要的艺术理论,对研究技术复制时代的艺术作品有着深远的意义和影响。瓦尔特·本雅明,德国法兰克福学派早期代表人物,是20世纪最重要的哲学家,最伟大、最渊博的文学评论家之一。他最出名的理论莫过于机械复制和“光韵”理论,独特的见解一直是西方哲学界和文学界研究的话题。本文试图通过对“光韵”的含义、消失的原因及表现的研究,并结合蒙太奇剪辑技术,探讨“光韵”在电影中的重现。
“Aura ” is Benjamin’s important theory of art and has far-reaching significance and impact on the study of the art works of the era of technological reproduction. Walter Benjamin, an early German Frankfurt school representative, was one of the most important philosophers of the twentieth century, one of the greatest and most influential literary critics. His most famous theory is mechanical replication and “Rhyme ” theory, unique insights has always been the topic of study in the Western philosophical and literary circles. This paper attempts to explore the “” rhyme “in the movie by the ” rhyme "meaning, the disappearance of the reasons and performance studies, combined with montage editing techniques.