傩的起源,一般只追溯到《周礼·夏官》的方相氏,近年国内外兴起“傩文化”的探索热潮,诸家论著,风起云涌。调查研究各地傩戏、傩仪遗留残迹的论文垂二百篇,已成为一时之显学。惟殷代先公“微作禓”一说尚未有人谈及。我曾经写过《世本微作禓解》一文,载于拙作《固庵文录》(页89-91),似无人注意及之。兹重撰此篇,聊供商讨。 The origins of 傩 are generally only traced back to Fang Xiangshi of “Zhou Li Xia Guan”. In recent years, there has been a boom in exploration of “傩 culture” at home and abroad. Investigations around the Nuo opera, Mi instrument legacy essays hanging two hundred articles, has become a temporary school. However, the first generation of public Yin Yin “micro”, said no one has yet to talk about. I once wrote an article entitled “The Works of the Widows and My Works,” contained in my book “Gu’an Scriptures” (pp. 89-91), which no one seems to notice. Hereby republish this article, chatting for discussion.