延绵千年的中国山水画的价值在于它用水和墨的方式消解了丘壑的表象,艺术家心灵的“山河水”有意无意表现了一种实景和幻境交替的生命境界。山水画是胸中丘壑,是超越了时间和空间意识的丘壑。在美术史的承转中,从来不存在完全孤立的创新片段。近日,大壶艺术中心举办的《无山不隐》邀请了谭根雄、肖谷、吴林田、薛松、胡又笨等国内12位优秀的艺术家,以各自不同的创作手段向中国山水精神致敬,从五零后到八零后,笔墨、 The value of the Chinese landscape painting that stretches for thousands of years rests with the fact that it uses water and ink to dissolve the appearance of the hills and valleys. The artist’s “mountain and river water” consciously or unconsciously represents a realm of real life and illusion. Landscape painting is the chest hill, is beyond the time and space consciousness Qiu He. In the history of art history, there is never completely isolated fragments of innovation. In recent days, 12 outstanding artists in China, including Tan Gen Xiong, Xiao Gu, Wu Lin Tian, ​​Xue Song and Hu Yu Ben, hosted a solo exhibition entitled “No Hill without Covering Mountains and Mountains”, paying tribute to the Chinese landscape with their own creative methods. From 50 to 80 after the pen and ink,