记得在首都剧场看过一场极具小资情调的现代歌剧《再别康桥》,剧中有一个情节:林徽茵与梁思成到五台山佛光寺大殿游览,管子作为背景音乐幽幽地响起烘托着剧情。这位在背景深处盘腿打坐吹管子的演员就是北京广播民族乐团的郭向。郭向在《再别康桥》中还扮演了一位在歌厅吹萨克斯的乐手,中国管乐与西洋管乐跨度很大的转换,于郭向来说是那样地轻松自如。 I remember in the capital theater watched a great bourgeois tune of modern opera “Farewell to Cambridge,” the play has a plot: Lin Hui Yin and Liang Sicheng Wutai Temple hall to visit, Guanzi as the background music sounded quietly heralding the plot. The actor who is sitting cross-legged in the background and blowing his pipe is Guo Xiang of the Beijing Radio National Orchestra. Guo Xiang also played a saxophone player in the concert hall in “Farewell to Cambridge”. The conversion of Chinese wind instruments and Western wind instruments was very large. It was so easy for Guo to say it.