继《锦灰堆》初编、续编后,三联出版社今年又推出古博物家王世襄先生的《锦灰三堆》。本书编为“音乐”、“文物”、“忆德”、序跋四部分,除“音乐”写于上世纪50年代,余皆为王先生近二年新作。本刊撷取随笔二篇刊发,以见王世襄先生近年著述生活之一斑。望气与直觉五十年代和葱玉兄(张珩)闲聊,他说起书画鉴定有一个名词曰“望气”,有时还在两字之后加一个“派”字,是一个贬词。“望气”指书画卷轴打开之后先观望一下整幅的气势,也可以说是体会一下整幅 Following the “Kam ash pile,” the first series, the sequel, the triple press this year launched the ancient museum of Mr. Wang Shixiang “Kam gray three heap.” The book is composed of “music”, “artifacts”, “memory Germany” preface and postscript four parts, with the exception of “music” written in the 50s of last century, all of Mr. Wang for nearly two years new work. This article picks up two essays published in order to see Mr. Wang Shixiang one of the highlights of recent years. In the fifties, he chatted with Onion Brother (Zhang Heng). When he spoke of painting and calligraphy, he said there was a noun called “Qiqi”, sometimes adding a “pie” after the word, which was a derogatory term. “Wang Qi” refers to the painting scroll after the first look at the whole momentum, it can be said to appreciate the whole