“新水墨”一定要根植于传统水墨,从传统中吸取养分。任何好的作品一定是得到大家共识的,首先是笔精墨妙,线条质量的高度与作者思想意识的表达和谐统一。《艺术沙龙》:您怎样评价“70后”“80后”画家的艺术创作?晴雪:对于出生于这个时代的我们,社会处于变革期,成长中受中国传统文化影响并不多。一直受西方学院派教学影响,同时社会处于文化物质开放的时代,思想眼界被社会文化的多元性所冲击,在艺术作品上多会表达出时代性和实验性,也就是“新材料”和“新水墨”画风的产生。这些都是文化艺术繁荣的好现象。《艺术:沙龙》:您觉得“新水墨”会成为未来的主流吗?如何看待“新水墨”的发展?晴雪:“新水墨”一定要根植于传统水墨,从传统中 “New Ink ” Must be rooted in the traditional ink, absorb nutrients from the tradition. Any good work must have been agreed upon by everyone. The first is the essence of writing, the harmony of the height of line quality and the expression of the author’s ideology. Art Salon: How do you evaluate the artist’s artistic creation after 70s 80s? Qing Xue: For us born in this era, the society is in a period of change and the growth is affected by the Chinese traditional culture. many. It has always been influenced by Western academic teaching. At the same time, the society is in an era of open cultural material. The ideological horizon is impacted by the pluralism of social culture. In the works of art, most of the time, it expresses the epoch and experimentality, that is, “new material” And “new ink ” style of painting. These are all good things for the prosperity of culture and art. “Art: Salon”: Do you think “New Ink ” will become the mainstream of the future? How to treat the development of “New Ink”? Qing Xue: “New Ink” must be rooted in the traditional ink and wash, in